SHOWCASE OF SERBIAN THEATRE

Regime of Love is a comedy in which the playwright explores, analyzes, comments on and criticizes various arrangements of amorous pairings in the contemporary cultural context of instant communications via social networks, online dating sites and apps, as well as the problems in communication between partners, the participants of certain amorous arrangement: monogamic relationship, serial monogamy, cheating in a relationship, triangles, celibacy, marriages… everything down to facing the phenomenon of polyamory (an amorous relationship - sexual and emotional - which involves more subjects in various modes of pairing). Regime of Love is a play commissioned by Atelje ...

  JAMI DISTRICT is a theater performance which tackles the notions of nation and national states in the high-tech world of the 21st century. Starting with the fact that nation is a construct and a term developed in the 19th century, this performance asks a question: how did the 19th century invention manage to look as if it has been there forever? Do we still need the “good” old nations, in the era of Internet, artificial intelligence and modern medicine? What will replace nations and national states? And who’s worse : nations or corporations? By the end of the 21st century, it is expected for most intellectual and physical work to be done by ...

I just think dance is really relevant. You're able to work with a complexity that you could never do if you were working with images or texts alone. I mean you can work with sensation and you can work with abstraction, entering many physical worlds, or even the way we perceive how we are human, how we're alive or how…Is this my body? Why am I moving? Who is moving whom? There's a complexity that's hard to articulate in words. Meg Stuart (Jonathan Burrows, Interview with Meg Stuart, Luna Café, Brussels, March 12th 1998)   There is no such thing as an empty space or an empty time. There is always something to see, something to ...

Based on the eponymous satirical play by Gabriel Chevallier, Clochemerle is a performance about an attempt of quasi-modernization of the traditional surrounding as a mode of political strategy. The main narrative, written in the context of modernist development of western society in the first half of the 20th century, has been used as a unique ground for identification of current social and political contents in transitional societies, such as ours. The clash between traditional and modern approach to social development is explained through ruptures in the functioning of an isolated community. These cracks are, like hyperboles, presented in the performance, as well as in the ...